Ebook Report to Greco, by Nikos Kazantzakis
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Report to Greco, by Nikos Kazantzakis
Ebook Report to Greco, by Nikos Kazantzakis
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Report to Greco
- Sales Rank: #910260 in Books
- Brand: Brand: Touchstone
- Published on: 1975-08-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 5.50" w x 1.25" l,
- Binding: Paperback
- Great product!
Most helpful customer reviews
68 of 69 people found the following review helpful.
We Cannot Conquer Death, We Can Conquer the Fear of Death
By Loren D. Morrison
To make the most of this occasionally confusing spiritual journey, one ought to pay close attention to the introduction by Helen Kazantzakis, Kazantzakis' wife of 33 years. She tells us that, with the exception of the first chapter, REPORT TO GRECO was still in first draft form when Kazantzakis died, and that "If he had been able to rewrite this Report, he would have changed it. Exactly how, we cannot know." It is a "mixture of fact and fiction." And, finally that, if he had lived long enough, "he would have poured it . . . . into the mold of reality."
She also states that his times (i.e. the sequence of events as he relates them) are wrong. In fact, if you read a bibliography of his works, you will find that both "Zorba" and "The Odyssey, a Modern Sequel." were written much earlier in his life than one would infer from what Kazantzakis has written in this book.
Whatever it is, REPORT TO GRECO is not an autobiography. If this is the case, what then, is it? I believe it to be the story of one man's lifelong search for his own raison d'etre. For many years he didn't seem to be consciously aware of his own motivation.
His quest led him first to the Christian Saints and Christ; then to his teacher, the French philosopher Henri Bergson; then to the philosophic teachings of Nietzsche; then to Buddha and Lenin; and finally to the Odysseus within himself. Dominating all of these was his own Cretan soul. Each time he moved from one philosophy or set of teachings to the next, he thought that the new one was the answer he sought, and that he was discarding the old. What he finally came to realize was that, all along, he had been building, not rejecting. The culmination of this search came with his sequel to Homer's "Odyssey."
Kazantzakis was a child of Crete, and it was to Crete that he always returned for rejuvenation. It was also the spirit of Crete and his Cretan forebears that infused all his works. According to him, his works went through a sort of internal germination period, and only when THEY were ready to be written could he begin to write. This was particularly so when he wrote "Zorba, the Greek." Zorba was a real person who, in the three months that Kazantzakis and Zorba spent together, had taught Kazantzakis "how to live and how to love life." Kazantzakis says that after he heard that Zorba had died,it took months before the story of Zorba allowed itself to be written,
I would love to have been able to experience Crete with the eyes and soul of Kazantzakis. Whin I visited the site of Knossos, I saw archeological ruins and reconstructions, mosaics and frescoes, pots and statuary, ancient cart roads, what may or may not have been part of the famous labyrinth, and the religiously symbolic double axe. I'm afraid, though, that I only saw them as objects. When Kazantzakis would visit Knossos, which he frequently did throughout his life, he would feel its mystery. As an example, in a fresco of a flying fish (dolphin?), he sensed both the evolutionary urge inherent in lower animal orders, and a possible source of man's desire to always ascend. Had I read REPORT TO GRECO before my visit to Crete, perhaps I, too, might have been prepared to see and feel that which lay beneath the surface. Maybe, maybe not. Perhaps one must be a true son of Crete to share this sort of experience with Kazantzakis.
From the many conclusions that Kazantzakis was able to draw from his life-long search, I'd like to quote just a few.
On death: "It is true that we cannot conquer death. We can however conquer the fear of death."
On freedom: ". . . . The man who either hopes for heaven or fears hell cannot be free."
On love: "Perfect love exists between two people only when each addresses the other with 'O myself'"
As one might expect, Kazantzakis expands on these themes which are but a few among many. There is much food for thought in this book.
It is also my opinion that Kazantzakis never lost his way, although many critics seem to think he did. Somewhere in the book he states that he took a path similar to that of a boat tacking into the wind, tacking first to the right, then to the left, but always gaining on his objective.
He must have done something right in the way he lived his life, because his only true regret when he knew that he was dying was that he didn't have time to complete his planned projects. "Oh for a little time, just enough to let me finish my work. Afterwards let Charon come." A little time to finish and then on to his maker.
I feel that neither I, nor any reviewer for that matter can do REPORT TO GRECO justice. It would take the soul of a born and bred Cretan to begin to do so. There's so much here to be read, contemplated, and absorbed that only a cover to cover reading can begin to reveal its magic.
36 of 36 people found the following review helpful.
A literary masterpiece
By Achaean
I have read the book in both the original Greek and the translated version. The translated version is exceptional which is a rarity in literature. The book is a quasi-autobiography of Nikos Kazantzakis but the main theme is not his life. It's the spiritual struggle of man to find his place on earth and to understand the concept of a God. A deeply spiritual person, Kazantzakis, struggled throughout his life trying to draw the right path for him. He traveled throughout the world in order to witness how other cultures dealt with the same notions. He returns home at the end because the call of his birth land is too strong. The book is written supposedly as an account to his grandfather, an arab pirate, but a view also exists that it is a report to El Greco (Domenikos Theotokopoulos), a famous Greek artist (1541-1614). Kazantzakis was a great admirer of El Greco and a visit to his homeland is described in the book. Kazantzakis is a literary giant, Albert Camus was one of his friends and admirers, and the book is not for the casual reader.
To me this is the book I would choose to have if I was only allowed to own one book.
0 of 0 people found the following review helpful.
A unforgetable work of art!
By Jane Rogers
I read this book many years ago, and I was spiritually changed by it. I now want to read it a second time to review the mystery of it all.
Nikos' search for more made his journey full because he was open to experience it ALL. He was a mystic individual.
My schedule hasn't allowed me the pleasure to read it the second time yet, but I am definitely looking forward to it. I'll probably want to read it a third time.
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